Pacific Review of Ethnomusicology

Volume 15 (2010)

Editorial

  • PRE logo
    Unlike the day after a big party, this year’s publication of volume 15 is even more momentous than the last. In the previous volume, PRE took a look back at our twenty-five year history, but this year is all about looking forward. Like many in the discipline at large, PRE’s editors, authors, and contributors grapple with a variety of pressing questions. In what direction should the discipline of ethnomusicology proceed? What function will academic journals have in the future...

Sounding Board

  • On December 9, 2010, PRE editors Jessie Vallejo and Nolan Warden sat down to talk with Steven Loza, Professor of Ethnomusicology at UCLA. We were interested to know his current thoughts on the changing field of ethnomusicology since the publication of his article “Challenges to the Euroamericentric Ethnomusicological Canon” (2006). The transcribed and edited interview below covers diversity in ethnomusicology, critiques of academia, issues of diversity in academic...

Featured Articles

SEM Chapter Prize Winners

  • Winner of the Marnie Dilling Prize for best student paper at the 2010 conference of the Northern California Chapter of the Society for Ethnomusicology (NCCSEM) Introduction In the North Beach district of San Francisco, in an Italian neighborhood just blocks away from Chinatown, there stands a landmark building best known as the Old Spaghetti Factory. Today it houses the Bocci restaurant, but in the late 1950s it was home to Los Flamencos de la Bodega, a small group of...
  • Winner of the Vida Chenoweth Prize for best student paper at the 2010 conference of the Southern Plains chapter of the Society for Ethnomusicology (SEM-SP) Abstract Postcolonial scholars have explored how “hybridity” in cultural forms and practices might resist the power of colonial discourses. Homi Bhaba, in particular, has explored ways in which hybridity and mimicry expose the contradictions within power structures based on the construction of difference. Turkey,...
  • Winner of the James T. Koetting Prize for best student paper at the 2010 conference of the New England chapter of the Society for Ethnomusicology (NECSEM) Abstract In Singing the Classical, Voicing the Modern, Amanda Weidman argued that ethnomusicology had ignored Indian classical music's colonial history in favor of musicological knowledge. Thus, her project's "most important aim" was to "bring Indian classical music...within the purview of anthropology...

Reviews

  • Ron Emoff’s latest book is a musical ethnography that seeks to illuminate the role of music in the production of history and identity on the small Caribbean island of Marie-Galante. The author, an associate professor of anthropology and music at the Ohio State University at Newark, conducted fieldwork on Marie-Galante during the summers of 1997 and 2002, and the ethnographic content of Music and Performance has been gleaned from these trips. Music and Performance is...
  • I read this book three times before writing this review. The first time through was frustrating: the organization of information seemed jumbled up and the writing style needlessly arty. Rather than review it then, I let the book "lie fallow" on the shelf for a few months. On second reading, the book's design drew me in and I came to appreciate its many well-written, evocative passages, as well as its strongly argued ideas and conclusions. Rather than aggravating me with an...
  • Although African drum languages have been of scholarly interest since the late 19th century, only a few book-length works have been published on the subject. As one of the most in-depth studies of an instrumental speech surrogate to date, Amanda Villepastour's book makes a valuable contribution to this literature. Her subject is the bàtá, a family of double-headed drums from southwestern Nigeria that is closely linked to òrìṣà (deity) devotion among Yor...
  • The past few decades witnessed a growing interest in the music of the Jewish communities of India. Indeed, the emergence of the close-knit community of Indo-Judaic Studies in the academy at-large more or less coincided with this increased attention to Indian Jewish music. Sara Manasseh, an ethnomusicologist who has been at the forefront of this surge, has collaborated with record producer Julian Futter in the release of a fascinating compact disc, entitled Shir Hodu: Jewish Song from...

Editorial & Advisory Boards

Editors
Andrew Pettit
Jessie Vallejo
Nolan Warden

Advisors
Jacqueline Cogdell DjeDje
A. J. Racy

Advisory Board
J. Martin Daughtry (New York University)
Heidi Feldman (University of California, San Diego)
Steven Friedson (University of North Texas)
Travis Jackson (University of Chicago)
Tamara Levitz (University of California, Los Angeles)
Peter Manuel (City University of New York)
Timothy Rice (University of California, Los Angeles)
Charles Sharp (California State University, Fullerton)
Timothy Taylor (University of California, Los Angeles)
Robert Walser (University of California, Los Angeles)
Christopher Waterman (University of California, Los Angeles)

Editorial Board
Natalia Bieletto-Bueno
Kevin Blankenship
Julius Carlson
Ron Conner
Rebecca Dirksen
Michael Iyanaga
Scott Linford
Brendan Lucas
Mindy O'Brien
Veronica Pacheco
Jesse Ruskin
Michael B. Silvers
Katie Stuffelbeam
Ty-Juana Taylor
Dave Wilson