What's Goin' On

Curated by Rosaleen Rhee

Introducing the 2016 Editorial Team

Greetings everyone and Happy March! 

 

Call for Associate Editors

Ethnomusicology Review (ER) is looking for Associate Editors to curate Sounding Board’s Space is the Place and Crossing Borders.

Call for Reviewers

Ethnomusicology Review (ER) is seeking to expand its circle of scholars for book reviews and extends an invitation in particular to music scholars and graduate students in Ethnomusicology, Musicology, Sound Studies, Jazz and Popular Music studies to submit a book review to our Journal.  

Moacir Santos’s Film Scores: Research in Progress

Lucas Zangirolami Bonetti is a PhD candidate at the State University of Campinas (UNICAMP) in São Paulo, Brazil. He is currently a Visiting Graduate Researcher in the Department of Spanish & Portuguese at the University of California, Los Angeles where he is conducting field research on the work of Brazilian composer Moacir Santos.

Review | Brass Bands of the World: Militarism, Colonial Legacies, and Local Music Making

Brass Bands of the World: Militarism, Colonial Legacies, and Local Music Making. Edited by Suzel Ana Reily and Katherine Brucher. (Soas Musicology Series) Surrey, England: Ashgate, 2013.

Review | Voices from the Canefields: Folksongs from Japanese Immigrant Workers in Hawai’i

Voices from the Canefields: Folksongs from Japanese Immigrant Workers in Hawai’i. By Franklin Odo. Oxford and New York: Oxford University Press, 2013. [xxviii, 242 pp. ISBN9780199813032, Hardback: $49.50.]. 

Reviewed by Jennifer Milioto Matsue / Union College

Review | Music in Kenyan Christianity: Logooli Religious Song

Music in Kenyan Christianity: Logooli Religious Song. By Jean Ngoya Kidula. Bloomington: Indiana University Press, 2013. [xv 312 pp. ISBN 978-0-253-00668-4, Paperback: 30.00, Cloth: 85:00, E-Book: 24.99].

 

Reviewed by Nicholas Ssempijja / Makerere University

Pages

"Sounding Board" is intended as a space for scholars to publish thoughts and observations about their current work. These postings are not peer reviewed and do not reflect the opinion of Ethnomusicology Review. We support the expression of controversial opinions, and welcome civil discussion about them. We do not, however, tolerate overt discrimination based on race, sex, gender, sexual orientation, or religion, and reserve the right to remove posts that we feel might offend our readers.
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