Ethnomusicology Review Bloggers

ER Administrator
Tori Ahrens
Joshua Brown - UC Riverside
Graduate student at UC Riverside
Susan Campos Fonseca
Amanda Cannata's picture
Amanda Cannata
Amanda Cannata is a fourth-year doctoral student in musicology at Stanford University. She is currently doing research in Santiago, Chile and Buenos Aires, Argentina. Her dissertation is titled "Music and Structures of Identity at International Expositions in the Americas, 1875-1915."
Julius Reder Carlson's picture
Julius Reder Carlson
Julius is a Ph.D. in ethnomusicology (2011) and a doctoral student in musicology at UCLA, where he researches and writes about topics including Argentine folk music and Felix Mendelssohn.
Logan Clark's picture
Logan Clark
Logan is a second year MA/PhD student at the University of California, Los Angeles. Her academic interests include religious ritual music among Guatemala's indigenous populations, cultural rights and government arts preservation, and the glocalization of hip hop. She sings in the UCLA jazz vocal ensemble and the Mariachi ensemble. She is also a Beethoven fan, and if you ask nicely, she will show you the "Ode to Joy" tattoo on her right foot.
Meghan Hynson's picture
Meghan Hynson
Meghan Hynson holds an MA in ethnomusicology from UCLA and is currently studying at ISI Denpasar (the Balinese Arts University) under a fellowship from the Indonesian Ministry of Education. Meghan's research interests include: Balinese gender wayang, Balinese gamelan, West Javanese angklung, Indian devotional music, Chinese guzheng, and world music education. In 2011, Meghan received the Society for Ethnomusicology Elizabeth May Slater Prize for the paper she presented at the annual conference on world music education.
Ryan Koons's picture
Ryan Koons
  
Kevin Levine
Scott Linford
An ethnomusicologist, banjoist, documentarian, and occasional luthier, Scott Linford is pursuing doctoral studies at UCLA after completing his M.A. in 2012. Scott directs the UCLA Bluegrass and Old Time Ensemble, conducts fieldwork in Central America and West Africa, and serves as Editor-in-Chief of Ethnomusicology Review.
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Alexander Markovic
Alex Markovic received his M.A. in Anthropology in 2007, and is currently finishing his dissertation on identity politics and musical performance among Romani brass musicians in Vranje, Serbia, at the Department of Anthropology, University of Illinois-Chicago. With the support of an International Research Exchanges Board (IREX) IARO grant, among others, he spent a total of 19 months conducting fieldwork in Vranje on music, weddings, and ethnic identity. His research interests include music, dance, and ritual in the Balkans, ethnicity and nationalism, music, media, and globalization, and the anthropology of performance and ritual.
David Martinelli
Alyssa Mathias
Nicholas O'Brien
Ethnomusicology Review's picture
Ethnomusicology Review
This blog is for general news, notices, and thoughts from EMR editors.
Larry Robinson
Alex W. Rodriguez's picture
Alex W. Rodriguez
Alex W. Rodriguez is a jazz trombonist and writer interested in the history of Chile and Argentina's "Hot Clubs" and the jazz scenes that have grown up around them. Raised in Portland, Oregon, Alex began playing trombone at age 12; since then, he has performed with jazz and popular music groups across the United States and South America.
Maureen Russell's picture
Maureen Russell
Lola San Martín Arbide
Eric J. Schmidt's picture
Eric J. Schmidt
Manuel Vilches
Nolan Warden's picture
Nolan Warden
Nolan Warden is a PhD candidate in ethnomusicology at UCLA. His dissertation focuses on traditional and popular music of the indigenous Wixaritari (Huichol people) of western Mexico. His other research focuses on ritual drumming of the African diaspora, a topic that led to an MA at Tufts University with a thesis on Afro-Cuban drumming ceremonies for the dead ("cajón pa' muerto"). Nolan also performs as a percussionist in many genres and has toured internationally as a member of La Pasión Según San Marcos by Osvaldo Golijov.
Dave Wilson's picture
Dave Wilson
Dave Wilson is a Ph.D. student at the University of California, Los Angeles. His research explores local folk, jazz, and popular music practices in the Republic of Macedonia. Active as a freelance saxophonist and composer in Los Angeles, he has performed and composed for television and film and toured around the world with pop and world music artists.

Blogs

Review of "Beyond 'Innocence': Amis Aboriginal Song in Taiwan as an Ecosystem" by Shzr Ee Tan

Beyond 'Innocence': Amis Aboriginal Song in Taiwan as an Ecosystem (SOAS Musicology Series) By Shzr Ee Tan. Surrey, England: Ashgate Publishing Limited, 2012. $114.95 Includes illustrations (black and white photos, map and music examples), appendices, bibliography, discography, and index.

Reviewed by Larry Robinson 

Remembrances of Ray Giles, UCLA Ethnomusicology's Instrument Curator / Museum Scientist

We were all saddened to learn of the passing of Ray Giles, UCLA Ethnomusicology's Instrument Curator / Museum Scientist for many years (and a student of Mantle Hood's in the late 1960s and early 1970s).  I well remember Ray and wanted to write a column in his honor.  I invited people to send me their remembrances of Ray and have included those I have received.  If you would like to add your voice to Remembrances of Ray,

Record and Ride

On the 7th April 2012, I, Nicholas O'Brien, set out for a 5 month cycling and recording adventure around Europe.

Newly released research database: ArchiveGrid

ArchiveGrid is a collection of nearly two million archival material descriptions.  Archival collections held by thousands of libraries, museums, historical societies and archives are represented in ArchiveGrid.  ArchiveGrid provides access to detailed archival collection descriptions, making information available about historical documents, personal papers, family histories, audiovi

Review of "Triúr Aris" by Peadar Ó Riada, Caoimhín Ó Raghallaigh, and Martin Hayes

Triúr Aris. 2012. Arranged and performed by Peadar Ó Riada, Caoimhín Ó Raghallaigh, and Martin Hayes. Realworld Publishing: design by Edel Butler, printing by Dutec, and photography by Seán Ó Loinsigh. 20 tunes on 18 tracks with liner notes, color photographs, and website links.

Special Guest: Dr. Robert Saxe and the Music of Mexico Ensemble, 1964

Our special guest is Robert Saxe, UCLA '67, '79.  Saxe earned his Ph.D. in Management, but played violin, guitar, and jarana huasteca in the Music of Mexico ensemble.  I am thrilled he has agreed to share his memories of the early years of the Music of Mexico ensemble. -- Maureen

 

Huasteca conjunto - Robert Saxe, Larry Saunders, Donn Borcherdt

Beating the Drum to See Poverty: Experiencing Music as Labor among Roma in Vranje, Serbia

When I first began to conceptualize my dissertation project, I was most interested in the ways that musical performance shapes ethnic relationships and identity politics for Romani musicians in Vranje, Serbia. As such, I eagerly anticipated conversations in the field about performer strategies, musician-patron interactions, and musician roles in celebratory rituals.

Highlights from the Ethnomusicology Archive: the Robert Kauffman Collection

Robert Kauffman did his fieldwork in Zimbabwe (then Rhodesia) in 1960-1962.  His dissertation is entitled "Multi-Part Relationships in the Shona Music of Rhodesia" and he graduated UCLA in 1971.  He was a professor of ethnomusicology at the University of Washington and the University of Pittsburgh.  He is now retired.

Review of "En Abîme: Listening, Reading, Writing"

En Abîme: Listening, Reading, Writing: An Archival Fiction. By Daniela Cascella. Zero Books, 2012. $16.95. enabime.wordpress.com

Reviewed by Lola San Martín Arbide, University of Salamanca, Spain.

Voicing “Angels”: Conveying Musical Experience at Windham Tolland 4-H Camp

On one particularly hot week this past July during the two-week stretch of time I planned to spend at Windham Tolland 4-H Camp, Connecticut experienced a series of hot, muggy, and exhausting days. A storm was scheduled to roll in and, accordingly, rest hour was extended to protect the campers in case of thunder or lightning. Lightning indeed struck, and not just from the sky.

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