The People’s Idiophone was designed and c
The Society for Ethnomusicology Improvisation Section brings together SEM members engaging in scholarship on extemporaneous music making for the purpose of advancing the development of cross-cultural scholarly perspectives on improvisational phenomena, primarily through the sponsorship and promotion of discussions, events, and publications related to improvisation.
Submitted by AJ Kluth on August 5, 2016 - 7:50am
“Dave King is a professional.” These five words on the about page for RATIONAL FUNK,
The description of this section of the Ethnomusicology Review Sounding Board reads as follows: “Honoring the jazz roots of foundational ethnomusicologists such as Mantle Hood, Alan Merriam, Charles Keil and Steven Feld, ‘Space is the Place’ makes room for discussion regarding the intersections between ethnomusicology and jazz studies.” In my contribution to this discussion, I am interested in exploring a surpri
Issues of space and place pervade jazz historical narratives, especially when considering conventional “up the river” histories.
On January 26, my fieldwork in Santiago, Chile took an unforgettable turn when I took to the patio of a shared artists’ house to perform a set of improvised music with three Chilean jazz musicians. This concert came about as part of a transnational collective effort among Chilean jazz aficionados, a Danish web startup company, and my own network of family, friends, and fellow music lovers.
"Sounding Board" is intended as a space for scholars to publish thoughts and observations about their current work. These postings are not peer reviewed and do not reflect the opinion of Ethnomusicology Review. We support the expression of controversial opinions, and welcome civil discussion about them. We do not, however, tolerate overt discrimination based on race, sex, gender, sexual orientation, or religion, and reserve the right to remove posts that we feel might offend our readers.