Ethnomusicology Review Archive

Volume 22 (2020)

Edited by Samuel Lamontagne and Tyler Yamin
Volume 21 (2017)

Edited by Otto Stuparitz and Tyler Yamin
Volume 20 (2015)

Edited by Rose Boomsma, Schuyler Whelden, John Widman, Mike D'Errico, and Mehrenegar Rostami
Volume 19 (2014)

Edited by Alex W. Rodriguez, Alyssa Mathias, Eric J. Schmidt, Darci Sprengel, Mike D'Errico, Rose Boomsma, Ben Cosgrove, Benjamin Doleac, AJ Kluth, and Kristina Nielsen
Volume 18 (2013)

Edited by Scott V. Linford, Alyssa Mathias, Alex W. Rodriguez, Mike D'Errico, Eric J. Schmidt, and Darci Sprengel
Volume 17 (2012)

Edited by Julius Reder Carlson, Logan Clark, Scott Linford, Alex W. Rodriguez, and Dave Wilson
Volume 16 (2011)

Edited by Nolan Warden, Logan Clark, Jessie Vallejo, and Andrew Pettit
Volume 15 (2010)

Edited by Andrew Pettit, Jessie Vallejo and Nolan Warden
Volume 14 (2009)

Edited by Beto González, Andrew Pettit, Jessie Vallejo, and Nolan Warden
Volume 13 (2008)

Edited by Chloe Coventry, Beto González, and Jesse Ruskin.
Volume 12 (2006)

Edited by Chloe Coventry, Beto González, Jesse Ruskin, and Lauryn Salazar
Volume 11 (2006)

Edited by Melissa Morales, Amy L. Frishkey, and Jesse Ruskin
Volume 10 (2001/2002)

Edited by Jack Bishop et al.
Volume 09 (1999)

Edited by Jack Bishop and Jonathan Ritter
Volume 08 (1997)

Edited by Chris Provenzano and Jay Keister
Volume 07 (1995)

Edited by Jay P. Keister et al.
Volume 06 (1991)

Edited by Michael Frishkopf, Paulette Gershen, and Therese Mahoney
Volume 05 (1987)

Edited by Wanda Bryant and Edith Johnson
Volume 04 (1987)

Edited by Wanda Bryant, Tammy Gutnick, David Harnish, Edith Johnson, Wayne Randall, Anne Rasmussen, and Brenda Romero-Hymer
Volume 03 (1986)

Edited by Mark E. Forry, Anne Rasmussen, Daniel Atesh Sonneborn, Jane Sugarman, and Elizabeth Tolbert
Volume 02 (1985)

Edited by Gordon R. Thompson and Susan D. Clark
Volume 01 (1984)

Edited by Susan D. Clark, Jane Sugarman, and Gordon R. Thompson

What's New

Call for Contributions: Flip it and Reverse it: Hip-Hop Worldwide

Hip-hop started in the U.S. and its broad circulation has made it a global phenomenon. Decades after its birth, hip-hop is and has been resonating in a diversity of national, political and social contexts, with youth continuously reinventing it for their specific...

"Out for Presidents to Represent Me": The Breakfast Club, Hip-Hop, and the 2020 Elections

With the rise of digital technologies, the murders of Black people at the hands of law enforcement have increasingly been recorded and broadcasted through various media channels. The pressure from recent protests has America facing its “peculiar institutions”...

Ethnomusicology Review Archive

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