Ethnomusicology Review, Volume 22 (2020)

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Editorial

Welcome to Volume 22, issue 1 of Ethnomusicology Review! This issue features an invited essay along with three peer-reviewed articles that cover a wide range of topics, geographical areas,...

Invited Articles

The following claim, for some of us, seems obvious: the normative disciplinary boundaries of music studies—historical musicology, ethnomusicology, music theory, and composition—are...

Articles

I have always considered the observation of a musical manifestation more or less as the analysis of a musical “performance.” My recent interrogations and research about what is, in fact,...
Tone-colour has historically played a remarkably important role in Japanese music, often taking priority over precision in pitch. Though pitch / melodic flow and tone-colour both play important roles...
Figure 1. Muscat. Muscat is known internationally as a low-key, unassuming city with a faint aura of Indian Ocean mystique. Far less ostentatious or fast-paced than other Gulf capitals, Muscat...

Editorial & Advisory Boards

 
Editor-In-Chief
Samuel Lamontagne
 
Managing Editor
Tyler Yamin
 
Technical Editor
Ming-Ching Chiu
 
Managing Editor (Sounding Board)
Lucas Avidan
 
Associate Editors
Ben Cosgrove
Andrea Decker
Ewdin Porras
Max Nikol
Alec Norkey
Amy Brandon
Alfredo Rivera
Maureen Russell
 
Editorial Board

Armen Adamian
Lucas Avidan
Blair Black
Mei-Chen Chen
Logan Clark
Andrea Decker
Ben Doleac

Maria Fantinato
Sophia Frankford
Gabe Lavin
Alyssa Mathias
Edwin E. Porras
Mehrenegar Rostami
Simone Salmon
Eric Schmidt
Wan Yeung
Heidi Xiaorong Yuan
 
Advisory Board Members
Tara Browner
Farzaneh Hemmasi
Paul Humphreys
Jay Keister
Anna Morcom
Helen Rees
Theresa Steward
Timothy D. Taylor
Lisa Urkevich