Welcome to Ethnomusicology Review
Ethnomusicology Review offers diverse scholarly approaches to musical practice in the form of articles, essays, and reviews. We invite you to explore a preview of Volume 22 and past issues of our peer-reviewed annual journal as well as our Sounding Board, featuring seven columns of invited essays and reviews published weekly.
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Welcome to Volume 22, issue 2 of Ethnomusicology Review! We open with a timely invited essay by Rachel Mundy, which examines the presence of a musical zoopolitics in the popular considerations of...
E. M. Forster’s colonial novel A Passage to India is brimming with music, though almost exclusively Western styles. Even as one might expect some mention of Indian music within this volume...
Death is everywhere and nowhere. Counting death has become a national pastime as the number of COVID-19 related deaths in the United States climb past 200,000, 250,000 and upwards on the daily news...
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Wednesday March 30th, 2022 kicked off the UCLA Hip Hop Initiative’s (HHI) series, “Rap, Race, and Reality with Public Enemy’s Chuck D.” The series, will run the entire Spring...
CONGRATULATIONS TO THE ETHNOMUSICOLOGY ARCHIVE ON ITS 60TH BIRTHDAY! On 13 October 2021, the UCLA Ethnomusicology Archive celebrated the 60th anniversary of its official opening. We...
The 1952-born Canadian artist, photographer and poet Marlene Creates has been exploring “the relationship between human experience, memory, language and the land, and the impact they have on...
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CONGRATULATIONS TO THE ETHNOMUSICOLOGY ARCHIVE ON ITS 60TH BIRTHDAY! On 13 October 2021, the UCLA Ethnomusicology Archive celebrated the 60th anniversary of its official opening. We had hoped to hold a large-scale event to mark this momentous occasion, but...
Wednesday March 30th, 2022 kicked off the UCLA Hip Hop Initiative’s (HHI) series, “Rap, Race, and Reality with Public Enemy’s Chuck D.” The series, will run the entire Spring Quarter and culminate with a public event at the California African...
