Welcome to Ethnomusicology Review
Ethnomusicology Review offers diverse scholarly approaches to musical practice in the form of articles, essays, and reviews. We invite you to explore Volume 21 and past issues of our peer-reviewed annual journal as well as our Sounding Board, featuring seven columns of invited essays and reviews published weekly.
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“Can I Get A Witness”: Musicians Performing Politics in the U.S. Congress[1] Introduction To testify is to give a truthful account, to...
Since the 1970s, there has been a sustained scholarly interest in the musical instrument classification schemes of local communities...
Welcome to Volume 21 of Ethnomusicology Review! We are pleased to offer two articles and one invited paper that, taken together, provide...
Sounding Board | More »
In honor of the grand re-opening of the UCLA Ethnomusicology Archive, the World Music Center at UCLA and the UCLA Herb Alpert School of Music Department of Ethnomusicology presented a day-long...
Ethnomusicology Review is now accepting submissions for Volume 22, scheduled for publication in Fall 2019. Started as Pacific Review of Ethnomusicology (PRE) in 1984, ...
IntroductionWhile the Mexican musical genre narco corridos has been subject to scholarly analysis (Ragland 2011; Simonett 2001; Wald 2001), the sub-genre known as movimiento alterado...
What's New
In honor of the grand re-opening of the UCLA Ethnomusicology Archive, the World Music Center at UCLA and the UCLA Herb Alpert School of Music Department of Ethnomusicology presented a day-long symposium and evening concert honoring Professor Emerita Jacqueline Cogdell...
IntroductionWhile the Mexican musical genre narco corridos has been subject to scholarly analysis (Ragland 2011; Simonett 2001; Wald 2001), the sub-genre known as movimiento alterado represents a gap in the present body of knowledge. It is unique for the...
