Welcome to Ethnomusicology Review
Ethnomusicology Review offers diverse scholarly approaches to musical practice in the form of articles, essays, and reviews. We invite you to explore a preview of Volume 22 and past issues of our peer-reviewed annual journal as well as our Sounding Board, featuring seven columns of invited essays and reviews published weekly.
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Figure 1. Muscat. Muscat is known internationally as a low-key, unassuming city with a faint aura of Indian Ocean mystique. Far less ostentatious or fast-paced than other Gulf capitals, Muscat...
Welcome to Volume 22, issue 1 of Ethnomusicology Review! This issue features an invited essay along with three peer-reviewed articles that cover a wide range of topics, geographical areas,...
I have always considered the observation of a musical manifestation more or less as the analysis of a musical “performance.” My recent interrogations and research about what is, in fact,...
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Chilean Cacerolazo: Pots and Pans, Song and Social Media to ProtestFigure 1. Student Strike in 2012. Image from Creative Commons. Introduction ...
When UCLA announced on March 13 that we would transition to remote instruction for the entirety of spring quarter, I had to quickly reconceptualize my graduate seminar. Like so many other instructors...
Savage (2019) paints a devastating portrait of the music industry’s current state. In the United States, record sales have dropped about 80% in the last decade: from 450 to 89 million, and its...
What's New
The only discernible stabilities in Relation have to do with the interdependence of the cycles operative there, how their corresponding patterns of movement are in tune. In Relation analytic thought is led to construct unities whose...
When UCLA announced on March 13 that we would transition to remote instruction for the entirety of spring quarter, I had to quickly reconceptualize my graduate seminar. Like so many other instructors at my institution and elsewhere, I needed a crash course in the mechanics...
