Welcome to Ethnomusicology Review
Ethnomusicology Review offers diverse scholarly approaches to musical practice in the form of articles, essays, and reviews. We invite you to explore a preview of Volume 22 and past issues of our peer-reviewed annual journal as well as our Sounding Board, featuring seven columns of invited essays and reviews published weekly.
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The following claim, for some of us, seems obvious: the normative disciplinary boundaries of music studies—historical musicology, ethnomusicology, music theory, and composition—are...
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Figure 1. “Drawing of an Argentine gaucho playing his guitar”. Image courtesy of Wikimedia Commons under CC.IntroductionThere are few times that an entire genre can be identified as...
As the managing editor of the Sounding Board, I would like to say: happy new year! We are excited to continue to provide a platform for a variety of voices from throughout the world of...
Ethnomusicology Review is now accepting submissions for Volume 23, scheduled for publication in Fall 2020. Started as Pacific Review of Ethnomusicology (PRE) in 1984, ...
What's New
As the managing editor of the Sounding Board, I would like to say: happy new year! We are excited to continue to provide a platform for a variety of voices from throughout the world of ethnomusicology in 2020. Over the last few months, we've gone through a few staff...
Figure 1. “Drawing of an Argentine gaucho playing his guitar”. Image courtesy of Wikimedia Commons under CC.IntroductionThere are few times that an entire genre can be identified as wholly exemplifying a socio-historical identity while maintaining an accessible...
