Welcome to Ethnomusicology Review
Ethnomusicology Review offers diverse scholarly approaches to musical practice in the form of articles, essays, and reviews. We invite you to explore Volume 21 and past issues of our peer-reviewed annual journal as well as our Sounding Board, featuring seven columns of invited essays and reviews published weekly.
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Art by Evan Sanders Winner of the 2017 Lise Waxer NECSEM Prize During the era of the Black Lives Matter movement, which strives to combat and expose the...
Welcome to Volume 21 of Ethnomusicology Review! We are pleased to offer two articles and one invited paper that, taken together, provide...
“Can I Get A Witness”: Musicians Performing Politics in the U.S. Congress[1] Introduction To testify is to give a truthful account, to...
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Music Glocalization: Heritage and Innovation in a Digital Age, edited by David Hebert and Mikolaj Rykowski. Newcastle: Cambridge Scholars Press, 2018, hd, 375 pp. + index. ISBN: 1-5275-0393-3 ...
The UCLA Ethnomusicology Archive* is pleased to announce the publication of Ethnomusicology: Global Field Recordings. Presenting 58 field collections held by the Archive, this...
Since the invention of the “Telharmonium,” an electric organ developed by Thaddeus Cahill in 1897, the interest and scientific efforts of manipulating sound via electronics has evolved...
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Since the invention of the “Telharmonium,” an electric organ developed by Thaddeus Cahill in 1897, the interest and scientific efforts of manipulating sound via electronics has evolved exponentially. Other early instruments, such as the theremin (1920; Theo...
Music Glocalization: Heritage and Innovation in a Digital Age, edited by David Hebert and Mikolaj Rykowski. Newcastle: Cambridge Scholars Press, 2018, hd, 375 pp. + index. ISBN: 1-5275-0393-3 Reviewed by Victor Roudometof / University of CyprusBased on two...
