Submitted by Deonte Harris on June 25, 2014 - 4:03pm
“It’s never been easy being black, British and female in the music industry. . . But in recent years, it’s seemed that black females have been few and far between – and the ones who’ve popped up haven’t been able to stick around.”
Submitted by Deonte Harris on February 3, 2014 - 12:32pm
The post-World War II mass migration of communities from the Caribbean to England has had a tremendous impact on the cultural landscape of the United Kingdom. In my initial attempts to begin constructing an understanding of this impact, the perception that “tradition is not a static construct” and that “boundaries . . .
Submitted by Deonte Harris on September 9, 2013 - 2:15pm
During the 2013 spring quarter at UCLA, I decided to conduct field research on the “stepping” tradition amongst the historically black Greek-letter organizations (BGLOs) for my final project in a field and laboratory methods course.
The UCLA Ethnomusicology Department was honored to host the annual conference of the Society for Ethnomusicology Southern California and Hawai'i Chapter (SEMSCHC) on March 1-2, 2025, at UCLA. This year's conference held special significance as it marked the 70th...
Bette Yarbrough Cox (1921-2017) was a music educator in Los Angeles for more than 30 years, the founder of the BEEM (Black Experience as Expressed through Music) Foundation for the Advancement of Music, a Commissioner of Cultural Affairs for the City of Los Angeles, and a...
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