Submitted by Deonte Harris on June 25, 2014 - 4:03pm
“It’s never been easy being black, British and female in the music industry. . . But in recent years, it’s seemed that black females have been few and far between – and the ones who’ve popped up haven’t been able to stick around.”
Submitted by Deonte Harris on February 3, 2014 - 12:32pm
The post-World War II mass migration of communities from the Caribbean to England has had a tremendous impact on the cultural landscape of the United Kingdom. In my initial attempts to begin constructing an understanding of this impact, the perception that “tradition is not a static construct” and that “boundaries . . .
Submitted by Deonte Harris on September 9, 2013 - 2:15pm
During the 2013 spring quarter at UCLA, I decided to conduct field research on the “stepping” tradition amongst the historically black Greek-letter organizations (BGLOs) for my final project in a field and laboratory methods course.
Bust a Move: Matt Dike, Delicious Vinyl & the Hip-Hop Hits that First Conquered Pop (Kensington Book, 2026) In 1987, Mike Ross and Matt Dike founded Delicious Vinyl, an independent label rooted in Los Angeles’ early 1980s hip-hop and club scenes. Within a...
Hua Wenyi (1941–2022) was one of the most influential Kunqu opera performers of her generation. Born and trained in Shanghai, China, she rose to prominence as a leading dan (refined female-role) performer and later served as the director of the Shanghai Kun Opera...
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