Submitted by Deonte Harris on June 25, 2014 - 4:03pm
“It’s never been easy being black, British and female in the music industry. . . But in recent years, it’s seemed that black females have been few and far between – and the ones who’ve popped up haven’t been able to stick around.”
Submitted by Deonte Harris on February 3, 2014 - 12:32pm
The post-World War II mass migration of communities from the Caribbean to England has had a tremendous impact on the cultural landscape of the United Kingdom. In my initial attempts to begin constructing an understanding of this impact, the perception that “tradition is not a static construct” and that “boundaries . . .
Submitted by Deonte Harris on September 9, 2013 - 2:15pm
During the 2013 spring quarter at UCLA, I decided to conduct field research on the “stepping” tradition amongst the historically black Greek-letter organizations (BGLOs) for my final project in a field and laboratory methods course.
Ethnomusicology Review is now accepting submissions for Volume 25, scheduled for publication in Spring 2026. Started as Pacific Review of Ethnomusicology (PRE) in 1984, Ethnomusicology Review is a refereed journal managed by UCLA graduate students...
The 8th Lisbon Conference: Chinese Music and Musical Instruments: Expanding Horizons: Embracing the Wide Variety of Asian Music and Dance [中国民乐与乐器: 里斯本第八届研讨会拓展视野一睹亚洲音乐和舞蹈的多样性] took place on 7-10 May 2025, organized by the Institute of Ethnomusicology - Centre for Music and...
Journal Submissions
Learn how to submit your work to the Ethnomusicology Review.