Submitted by Deonte Harris on June 25, 2014 - 4:03pm
“It’s never been easy being black, British and female in the music industry. . . But in recent years, it’s seemed that black females have been few and far between – and the ones who’ve popped up haven’t been able to stick around.”
Submitted by Deonte Harris on February 3, 2014 - 12:32pm
The post-World War II mass migration of communities from the Caribbean to England has had a tremendous impact on the cultural landscape of the United Kingdom. In my initial attempts to begin constructing an understanding of this impact, the perception that “tradition is not a static construct” and that “boundaries . . .
Submitted by Deonte Harris on September 9, 2013 - 2:15pm
During the 2013 spring quarter at UCLA, I decided to conduct field research on the “stepping” tradition amongst the historically black Greek-letter organizations (BGLOs) for my final project in a field and laboratory methods course.
Bette Yarbrough Cox (1921-2017) was a music educator in Los Angeles for more than 30 years, the founder of the BEEM (Black Experience as Expressed through Music) Foundation for the Advancement of Music, a Commissioner of Cultural Affairs for the City of Los Angeles, and a...
On 3 June 2024, thirty-five students and three guardians from the Gugak National High School and the Gugak National Middle School in Korea visited the World Music Center at UCLA, including the Ethnomusicology Archive and the...
Journal Submissions
Learn how to submit your work to the Ethnomusicology Review.