Lip-syncing is one of the drag queen’s most valuable skills. She stands on stage, silently moving her lips to the voice of another, embodying that voice and persona in a performance style honed over generations of predecessors.
A World of Asian Percussion and Dance: Immersive Workshops for Educational Institutions in Los Angeles by Helen Rees and Learsi Martinez, UCLA Department of Ethnomusicology. Figure 1. Members of Ube Arte performing in the Gamelan Room at UCLA for the annual meeting of...
Ethnomusicology Review is now accepting submissions for Volume 25, scheduled for publication in Spring 2026. Started as Pacific Review of Ethnomusicology (PRE) in 1984, Ethnomusicology Review is a refereed journal managed by UCLA graduate students...
Journal Submissions
Learn how to submit your work to the Ethnomusicology Review.