Whether in our own graduate seminars or in classes that we teach to others, how strongly do we press ourselves to comprehend life experiences that are profoundly different from our own and to be inclusive of their resulting perspectives on music?[1]
A World of Asian Percussion and Dance: Immersive Workshops for Educational Institutions in Los Angeles by Helen Rees and Learsi Martinez, UCLA Department of Ethnomusicology. Figure 1. Members of Ube Arte performing in the Gamelan Room at UCLA for the annual meeting of...
Ethnomusicology Review is now accepting submissions for Volume 25, scheduled for publication in Spring 2026. Started as Pacific Review of Ethnomusicology (PRE) in 1984, Ethnomusicology Review is a refereed journal managed by UCLA graduate students...
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