Jump to Navigation
Home
Ethnomusicology Review
  • Home
  • Volume 22/2
  • Sounding Board
  • Archive
      1. Volume 22/1 (2020)
        1. Volume 21 (2017)
        2. Volume 20 (2015)
        3. Volume 19 (2014)
        4. Volume 18 (2013)
        5. Volume 17 (2012)
        6. Volume 16 (2011)
        7. Volume 15 (2010)
        8. Volume 14 (2009)
        9. Volume 13 (2008)
        10. Volume 12 (2006)
      2. Volume 11 (2006)
        1. Volume 10 (2001/2002)
        2. Volume 09 (1999)
        3. Volume 08 (1997)
        4. Volume 07 (1995)
        5. Volume 06 (1991)
        6. Volume 05 (1987)
        7. Volume 04 (1987)
        8. Volume 03 (1986)
        9. Volume 02 (1985)
        10. Volume 01 (1984)
  • About

Tarek Benchouia's blog

Echoing Egypt: A Close Listening to Mahraganat’s Relationality

Submitted by Tarek Benchouia on July 12, 2020 - 7:59am

 

 

 

 

 

 

Tags: 
Egypt; Mahraganat; Tarek Benchouia; Lambada
  • Read more about Echoing Egypt: A Close Listening to Mahraganat’s Relationality
  • Comments
Subscribe to RSS - Tarek Benchouia's blog

What's New

Review | 24 Bars to Kill: Hip Hop, Aspiration, and Japan’s Social Margins
24 Bars to Kill: Hip Hop, Aspiration, and Japan’s Social Margins. By Andrew B. Armstrong. New York: Berghahn Books, 2019. 193pp. ISBN: 9781789202670Reviewed by Anthony Bak Buccitelli    While the formal research process for anthropologist Andrew...
"Bâtards Sensibles" Insights into French Rap Production (excerpt from Bedroom Beats and B-Sides)
This text is an excerpt from Laurent Fintoni's book Bedroom Beats & B-Sides: Instrumental Hip-Hop and Electronic Music at the Turn of the Century     Author’s note: The following chapter is one of three focusing on what happened...

Journal Submissions

Learn how to submit your work to the Ethnomusicology Review.

Submission Guidelines >

Contact Us

Ethnomusicology Review
2520 Schoenberg Music Building
445 Charles E. Young Drive
Los Angeles, CA 90095-1657
UCLA

E-mail: emreview@ucla.edu

Ethnomusicology Review  |  ISSN 2164-4578  |  © 2021 by Ethnomusicology Review. Individual articles are the copyright of their authors.  |  emreview@ucla.edu