Call for Contributions: Ecomusicology Sounding Board's section posts

 

 

Deeply interdisciplinary, the field of ecomusicology is a branch of study exploring the various and complex nexus between people, nature and sounds. Ecomusicologists can come from the fields of composition, acoustic ecology, bio-acoustics, ethnomusicology, historical musicology, biology as well as ecocriticism, biosemiotics, ecosemiotics, phenomenology.

Ethnomusicology Review would like to invite you to share perspectives from your research for our online platform "Sounding Board." Texts on any of the following subjects are welcome:

 

-Music and Climate Change

-Music in the Age of Anthropocene

-Post humanities and sounds /music / acoustic patterns

-DNA / Metabolic / Transgenetic poetics and sounds

-Music in or about Landscapes

-Natural Sounds, acoustic ecology, bio-acoustics

-Music and/in Environment

-Music and/ in Place or Space

-Music and ecosemiotics / biosemiotics

-Music and Robotic Poetics

-Music and phenomenology / eco phenomenology

-The death of music or an era after music

 

Additionally, if you have any other project, conference paper, or unpublished work dealing with issues surrounding ecomusicology, feel free to reach out!

 

Please contact Nikoleta Zampaki, at nikoletazampaki@hotmail.com if you wish to contribute or have any questions. Sounding Board is an informal, yet academically focused online platform to discuss research, ideas, and other issues related to the fields of musicology and ethnomusicology.

"Sounding Board" is intended as a space for scholars to publish thoughts and observations about their current work. These postings are not peer reviewed and do not reflect the opinion of Ethnomusicology Review. We support the expression of controversial opinions, and welcome civil discussion about them. We do not, however, tolerate overt discrimination based on race, sex, gender, sexual orientation, or religion, and reserve the right to remove posts that we feel might offend our readers.