Our post this month comes from Brian Fairley, a second-year Master’s student in Ethnomusicology at Wesleyan University. Prior to his graduate studies, he was the music director and dramaturg for Double Edge Theatre in Ashfield, Massachusetts.
Our post this month comes from Elizabeth Stela, a PhD student in Ethnomusicology at UC Riverside. As a former dancer with the Martha Graham Ensemble, she is interested in how the body reacts to training, education, and non-human entities such gravity, technology, and musical instruments. Elizabeth holds an MA in oral history from Columbia University.
Our post this month comes from Andrea Decker, a second-year graduate student in ethnomusicology at UC Riverside currently working on her Master’s Thesis on infrastructure and gender in dangdut music videos. When not listening to dangdut or collecting ghost stories, Andrea knits, sings, plays tabla, and does Crossfit.
"Sounding Board" is intended as a space for scholars to publish thoughts and observations about their current work. These postings are not peer reviewed and do not reflect the opinion of Ethnomusicology Review. We support the expression of controversial opinions, and welcome civil discussion about them. We do not, however, tolerate overt discrimination based on race, sex, gender, sexual orientation, or religion, and reserve the right to remove posts that we feel might offend our readers.