Call for Papers: Ethnomusicology Review Volume 23

Ethnomusicology Review is now accepting submissions for Volume 23, scheduled for publication in Fall 2020. Started as Pacific Review of Ethnomusicology (PRE) in 1984, Ethnomusicology Review is an annual peer-reviewed journal managed by UCLA graduate students and a faculty advisory board. Our online format allows authors to rethink how they use media to present their argument and data, moving beyond the constraints of print journals. We encourage submissions that make use of video, audio, color photographs, and interactive media. 

 

Articles are original essays of no more than 8000 words on topics related to musical practice, and will be subject to an extensive review process prior to publication. They are expected to extend current theoretical and/or methodological approaches to the study of music, broadly conceived, and may be written from a variety of disciplinary perspectives including ethnomusicology, musicology, anthropology, sociology and cultural studies. Articles explicitely engaging with contemporary ethnomusicological scholarship are particularly encouraged. Essays in languages other than English will be considered for publication, provided that qualified reviewers are available, but authors are encouraged to include an abstract written in English.

 

*The submission deadline is March 23, 2020.*


Full guidelines for submission:
ethnomusicologyreview.ucla.edu/submission-guidelines

"Sounding Board" is intended as a space for scholars to publish thoughts and observations about their current work. These postings are not peer reviewed and do not reflect the opinion of Ethnomusicology Review. We support the expression of controversial opinions, and welcome civil discussion about them. We do not, however, tolerate overt discrimination based on race, sex, gender, sexual orientation, or religion, and reserve the right to remove posts that we feel might offend our readers.