Ethnomusicology

Highlights from the UCLA Ethnomusicology Archive: James Arkatov World Music photographs

James Arkatov was born in 1920 in Odessa, Russia and raised in San Francisco, where his father, Alexander Arkatov, owned a photography salon.  In 1938, he was invited by Fritz Feiner to join the Pittsburgh Symphony.  Later, he joined the San Francisco Symphony with Pierre Monteux, and went on to be principal cellist of the

The Sounds of Central Avenue

From the 1920s through the early 1950s, Central Avenue was the economic and social center for African American Los Angeles. It was also a hub for all Southern Californians who wanted to hear the latest and best in jazz.

Highlights from the Ethnomusicology Archive: the Charlotte Heth collection

Charlotte Heth has a long and distinguished history at UCLA.  In 1973, she began teaching a survey course on American Indian music.  In 1975 she completed her disseration in Ethnomusicology, "Stomp dance music of the Oklahoma Cherokee: a study of contemporary practice with special reference to the Illinois District Council Ground."  Heth was director of UCLA's

A Don Ellis Portrait: Strawberry Soup

It all began as an assignment for Ethnomusicology 205.  The two archivists (Aaron and Maureen) suggested archival collections to research that might specifically interest each student in the class.  For Marc Bolin, we could think of no better choice than the

Highlights from the Ethnomusicology Archive: the Don Ellis collection

Don Ellis (1934-1978) was a jazz trumpeter, composer and bandleader.  Ellis won a Grammy in 1972 for Best Instrumental Arrangement for the Theme From The French Connection.  He is probably best known for his extensive musical experimentation.  Ellis’ rhythmic innovations came as a direct result of his studies in non-Western music

Highlights from the Ethnomusicology Archive: the D.K. Wilgus collection

D.K. Wilgus and Wayland D. Hand established Folklore studies at UCLA, and together founded the Folklore and Mythology Program in 1965.  Wilgus was the Program’s first chair and served in that position for 17 years.  During his tenure at UCLA, Wilgus built an archive of folksong and folk music of over 8,000 commercial recordings and 3,000 field recordings. These recordings are now part of the UCLA Ethnomusicology Archive.

Pages

"Sounding Board" is intended as a space for scholars to publish thoughts and observations about their current work. These postings are not peer reviewed and do not reflect the opinion of Ethnomusicology Review. We support the expression of controversial opinions, and welcome civil discussion about them. We do not, however, tolerate overt discrimination based on race, sex, gender, sexual orientation, or religion, and reserve the right to remove posts that we feel might offend our readers.
Subscribe to RSS - Ethnomusicology