National Hispanic Heritage Month (September 15 - October 15) celebrates the histories, cultures and contributions of United States citizens whose ancestors came from Spain, Mexico, the Caribbean and Central and South America. National Hispanic Heritage Month had its origins in 1968 when Congress passed
Mantle Hood (1918-2005) was a pioneer in the field of ethnomusicology and the Founder and Director of the UCLA Institute (now Department) of Ethnomusicology. Hood was on the UCLA Faculty from 1956 to 1975. "Mantle Hood was a seminal figure in the field of ethnomusicology and his influence was
Los Angeles-based impresario Irwin Parnes (1917-1994) was best known for pioneering the staging of multicultural, multiethnic productions. Parnes was the longtime managing director of the International Concerts Exchange Foundation. He was also the manager of the Performing Arts series at the University of Judaism (now American Jewish University, Los Angeles). From 1947 to 1992, Parnes presented 45 International Folk Dance Fes
The legendary Francisco Aguabella (1925-2010) was an Afro-Cuban percussionist and master sacred drummer of the Santeria religion. Aguabella was born in Matanzas, Cuba, but immigrated to California in 1953 to work with dancer and choreographer Katherine Dunham on the movie Mambo. He went on to
Arts in Corrections was a unit within the California Department of Corrections and Rehabilitation that contracted with independent community service organizations and professional artists to provide arts programs within correctional institutions.
Jeff Richmond, Jacqueline DjeDje, and Carol Merrill-Mirsky at the "Peace Cave" where the 1738-39 Peace Treaty was signed. Photo courtesy Jeff Richmond.
A World of Asian Percussion and Dance: Immersive Workshops for Educational Institutions in Los Angeles by Helen Rees and Learsi Martinez, UCLA Department of Ethnomusicology. Figure 1. Members of Ube Arte performing in the Gamelan Room at UCLA for the annual meeting of...
Ethnomusicology Review is now accepting submissions for Volume 25, scheduled for publication in Spring 2026. Started as Pacific Review of Ethnomusicology (PRE) in 1984, Ethnomusicology Review is a refereed journal managed by UCLA graduate students...
Journal Submissions
Learn how to submit your work to the Ethnomusicology Review.