Maureen Russell's blog

Arts in Corrections was a unit within the California Department of Corrections and Rehabilitation that contracted with independent community service organizations and professional artists to provide arts programs within correctional institutions.

By guest columnist Carol Merrill-Mirsky, Ph.D.

Jeff Richmond, Jacqueline DjeDje, and Carol Merrill-Mirsky at the "Peace Cave" where the 1738-39 Peace Treaty was signed.  Photo courtesy Jeff Richmond.

In October 2009, the U.S.

Bette Yarbrough Cox (1921-2017) was a music educator in Los Angeles for more than 30 years, the founder of the BEEM (Black Experience as Expressed through Music) Foundation for the Advancement of Music, a Commissioner of Cultural Affairs for the City of Los Angeles, and a longtime friend of former Mayor Tom Bradley.

James Arkatov was born in 1920 in Odessa, Russia and raised in San Francisco, where his father, Alexander Arkatov, owned a photography salon.  In 1938, he was invited by Fritz Feiner to join the Pittsburgh Symphony.  Later, he joined the San Francisco Symphony with Pierre Monteux, and went on to be principal cellist of the

From the 1920s through the early 1950s, Central Avenue was the economic and social center for African American Los Angeles. It was also a hub for all Southern Californians who wanted to hear the latest and best in jazz.

The UCLA Ethnomusicology Archive is thrilled to announce that the second round of recordings from our collections are now available at California Light and Sound Collection on the Internet Archive.  California Light and Sound is a project of the

Charlotte Heth has a long and distinguished history at UCLA.  In 1973, she began teaching a survey course on American Indian music.  In 1975 she completed her disseration in Ethnomusicology, "Stomp dance music of the Oklahoma Cherokee: a study of contemporary practice with special reference to the Illinois District Council Ground."  Heth was director of UCLA's

It all began as an assignment for Ethnomusicology 205.  The two archivists (Aaron and Maureen) suggested archival collections to research that might specifically interest each student in the class.  For Marc Bolin, we could think of no better choice than the

Don Ellis (1934-1978) was a jazz trumpeter, composer and bandleader.  Ellis won a Grammy in 1972 for Best Instrumental Arrangement for the Theme From The French Connection.  He is probably best known for his extensive musical experimentation.  Ellis’ rhythmic innovations came as a direct result of his studies in non-Western music