From the Archives

When UCLA announced on March 13 that we would transition to remote instruction for the entirety of spring quarter, I had to quickly reconceptualize my graduate seminar. Like so many other instructors at my institution and elsewhere, I needed a crash course in the mechanics of online teaching.

In honor of the grand re-opening of the UCLA Ethnomusicology Archive, the World Music Center at UCLA and the UCLA Herb Alpert School of Music Department of Ethnomusicology presented a day-long sympo

"Black Music and Musicians in Los Angeles" is a collection of oral history interviews with Bette Yarbrough Cox, Richard Anthony Dedeaux, Margaret Pleasant Douroux, Albert McNeil, Evelyn Freeman Roberts, and Don L.

The Aman Folk Ensemble had its roots in a UCLA student dance group called the UCLA Village Dancers. In 1963, the campus group was re-conceived by Anthony Shay (Associate Professor of Dance at Pomona College) and Leona Wood (painter and dancer), as Aman.

In 1990 Congress passed Public Law 101-343 which authorized and requested the President to issue a proclamation designating the month of November 1990 as "National American Indian Heritage Month."  Since 1995 the President has issued annual proclamations which designate November as National American Indian Heritage Month, or since 2009

The UCLA Ethnomusicology Archive is pleased to announce that more recordings from the Archive's collections are now available online as part of the California Light and Sound Collection on the Internet Archive.  California Light and Sound is a project of the

In 1992 and 1993, Professor Steven Loza taught the course Musical Aesthetics in Los Angeles.  A number of these classes were recorded and the recordings became part of the Ethnomusicology Archive's Department of Ethnomusicology collection. 

Early in the process of sorting out who would write what, Alejandro and I agreed that we would not identify exactly where we encountered the badly damaged document that is our starting place for our linked essays. (His essay explains why we decline to do this).