What's Goin' On

Curated by Rosaleen Rhee

Review | Music Glocalization: Heritage and Innovation in a Digital Age

Music Glocalization: Heritage and Innovation in a Digital Age, edited by David Hebert and Mikolaj Rykowski. Newcastle: Cambridge Scholars Press, 2018, hd, 375 pp. + index. ISBN: 1-5275-0393-3 

Reviewed by Victor Roudometof / University of Cyprus

Documenting a Landmark of L.A. Hip-Hop History The Roadium Mixtape Documixery

Whether it’s through the media and entertainment industries or academia, Los Angeles hip-hop has been

Call for Papers: Ethnomusicology Review Volume 22

Review | Sounds of Crossing: Music, Migration, and the Aural Poetics of Huapango Arribeño

Sounds of Crossing: Music, Migration, and the Aural Poetics of Huapango Arribeño. By Alex E. Chávez. Durham, NC: Duke University Press, 2017. [440 pp. ISBN 978-0-8223-7018-5].

Call for Reviewers for Books, Films, & Sound Recordings

Ethnomusicology Review is seeking to expand its circle of reviewers for books, films, and album/sound recordings. We extend an invitation in particular to music scholars and graduate students in Ethnomusicology, Musicology, Sound Studies, Jazz, and Popular Music Studies to submit a book review to our journal.      

Introducing the New 2018 Team

Happy 2018, fellow ethnomusicologists and music scholars!

Review | The Oxford Handbook of Sound Studies

The Oxford Handbook of Sound Studies. Edited by Trevor Pinch and Karin Bijsterveld. Oxford: Oxford University Press, 2012. [624 pp., illus. ISBN: 978-01-953-8894-7].

Reviewed by Guillaume Heuguet / Université Paris Sorbonne

 

Review | Between Nostalgia and Apocalypse: Popular Music and the Staging of Brazil

Between Nostalgia and Apocalypse: Popular Music and the Staging of Brazil. By Daniel B. Sharp. Middletown, Connecticut: Wesleyan University Press, 2014. [159 pp. ISBN 9780819575029. Paperback $27.95, $80.00 Hardcover, Ebook $21.99].

Reviewed by Andrea Douglass / University of Massachusetts Boston

Pages

"Sounding Board" is intended as a space for scholars to publish thoughts and observations about their current work. These postings are not peer reviewed and do not reflect the opinion of Ethnomusicology Review. We support the expression of controversial opinions, and welcome civil discussion about them. We do not, however, tolerate overt discrimination based on race, sex, gender, sexual orientation, or religion, and reserve the right to remove posts that we feel might offend our readers.
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